Ten Hard-Hitting Movies about Drug Addiction

 

Few movies are us engaging and heart-breaking as those that shows us how a guy/girl loses everything precious to them in the grip of a substance which shatters one’s own will and conscience. These tragic tales showcases a protagonist trying to win back the control of his fate from that hungry monster bellowing deep inside his/her body. The movies I have mentioned here are not just simple morality tales that preaches you the dangers of drug addiction. These highly skilled film-makers have approached this theme in a more complex and nuanced manner. If I have missed any quintessential movie that belongs to this list, please mention it in the comments section.

 

Down to the Bone (2004)

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Director Debra Granik’s (“Winter Bone”) low-budget debut feature-film tracks the arduous procedure of drug rehabilitation as experience by a working-class mother, Irene. By adapting a non-melodramatic approach, the film gradually dissects the grueling things that stand before an addicted person, on their way to recovery. The script mostly avoids the cliches about drug addiction and the characters never beg for our sympathy. The movie also boasts a fantabulous performance from Vera Farmiga.

 

Traffic (2000)

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Steven Soderbergh’s trenchant portrayal on America’s futile ‘wars on drugs’ covers every aspect of the drug trade. Its multi-layered, intern-weaving narrative explores drug flow from the rich and dangerous drug cartels to wretched addicts in the American streets. The most distressing part of the movie is when a conservative judge, who is employed to sort out the drug scenario, finds that his own daughter has gone to despicable levels to feed her drug habits. In nominal roles, Michael Douglas and Benicio Del Toro played gives us an infinitely delicate performance.

 

Requiem for a Dream (2000)

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Darren Aronofsky’s uncompromising character study is one of the most profoundly disturbing anti-drug narrative ever made on cinema. It isn’t certainly a first movie to depict the unpleasantness of drug addiction, but the unsparing story-telling method makes this stick out, demanding a lot of rumination. Although the tale has lot of wrenching images, there’s nothing exploitative about them. The stylistic flourishes (like the flashing close-ups of snorting, shooting up and pill-popping) don’t stop Aronofsky in lending compassion for his self-deluded, condemned characters.

 

Trainspotting (1996)

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Danny Boyle’s iconoclastic movie on drugs and depravity veers between hilarious and horrific as it is both compelling and hard to watch. The episode-like structured plot follows the mishaps of a Scottish, heroine-addicted youth Renton (Ewan McGregor), who moves through the underground world of Edinburgh along with his junkie friends. Although the movie glorifies the pleasures of a drug-high state, it also doesn’t shy away from depicting the brutal consequences and the painful backslides when a person chooses to go clean.

 

The Basketball Diaries (1995)

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Scott Calvert’s bleak tale of teen drug abuse is a little preachy and structured like a government-funded propaganda movie that advertises ‘Say No to Drugs’. However, the film remains compelling due to the incredible, on-target performances of a young DiCaprio and Mark Wahlberg. The plot follows four Catholic boys, who are all starts of Basketball school team. Their inherent rebellious nature makes them start a drug cycle that goes on spinning, ravaging their lives.

 

Drugstore Cowboy (1989)

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Gus Vant’s lyrically shot, absurdist comedy offers an inside view on the drug world (set in Portland, Oregon, in the 1970’s) and junkies in a non-judgmental way. The script is based on the experiences of James Fogle (played by Matt Dillon), who was incarcerated on a 22 year sentence for stealing and exploiting the drugs. Mr. Van Sant takes deeply into the despicable, short-lived world, where the slumberous phases of consumption are breached by savage spasms of paranoia and violence.

 

Sid and Nancy (1986)

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Alex Cox’s harrowing and elegiac biopic tracks the ruined life of Sid Vicious (played by the riveting performer Gary Oldman), the musician of the British punk group ‘Sex Pistols’. The Romeo of rock n roll found his Juliet in the form of Nancy Spungen, and she turned him onto heroin, which eventually resulted in their senseless demise. The emotionally resonant performance and story-telling method gets through to you, even among the ear-splitting music and noise.

 

Christiane F (1981)

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Ulrich Edel’s inexorable German film takes us through the drug scene of Berlin in the 1970’s, where the 13 year old Christian, a portrait of innocence, gets thrown into the ghastly underworld of heroine. Careless mother, devilish beats of rock music, and snobbish friends gets her fiercely hooked to the drugs which eventually make her to sell her body to support the habits. Natja Brunkhorst’s natural performance as Christiane will shake up any viewer with a moral conscience. The most memorable and disturbing scene is the one when the two primary characters attempt to withdraw from heroin by locking themselves in the flat.

 

The Panic in Needle Park (1971)

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Jerry Schatzberg’s un-explotative and slightly out-dated portrayal of the ravages of heroin on New York streets (based on James Mills’ novel) were shot with documentary-style realism. The movie’s authenticity, apart from its aesthetics, is furthered by winning performances from Al Pacino and Kitty Winn, the heroin-doomed couple. The director perfectly catches the oppressive and frenzied infernal life on Needle Park, which effectively fosters and assists the drug use.

 

The Man with the Golden Arm (1955)

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Otto Preminger’s chronicle of one man’s fight against heroin addiction was considered to be a land-mark film in Hollywood. It was the 1950’s and even the mention of words like ‘heroin’ is out-lawed in films. This absurd mandate of Old Hollywood and the America’s growing drug problem was squarely addressed in this historical movie. Preminger takes a terrifying look at the despair and descent of an addict with the help of a credible performance from Frank Sinatra. The film may not be as harrowing as ‘Requiem for a Dream’ or ‘Trainspotting’ but as a courageous and well-constructed piece, it more than holds up today.

 

Other notable movies: Candy (2006), Sherry baby (2006), Pure (2002), Rush (1991), Permanent Midnight (1998), Clean and Sober (1988), Less Than Zero (1987).

 

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